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|sebomomo||Less is more. Creamy tone but tight||3/30/15|
|Ryan B. Hamilton|
|scenarioprog||Very lush textural tone with overlapping padlike feel.||3/29/15|
|Pantera||1958 Tweed B-Man||Metal||
|Hereticblackgoat||Vulgar Display Of Power Tone||3/29/15|
|Tool||2001 Cali Diamond Plate||Progressive metal||
|marcus262||Adam jones sound created with JB humbucker, using headphones. Diamondplate amp has nicer bottom end without the harsh highs of dual treadplate. Diezel sounds like it has a blanket over it. Delay, mod, flanger set before amp like Adam Jones sets his. Delay set for Schism, if you want other songs just change Fx tempo to tempo of the song. (ex. schism - 108, vicarious 115) For heavy distortion my guitar volume is on 8, for Schism on 7, light on 3/3.5 (tone always on 10 or 0). Eq-ed the 3200 hz and 6400 hz frequency because I saw it on his eq that he boosts those freq, also added a bit of bottom end.||3/28/15|
|Fripp and Eno||Line 6 Agro||experimental||
|No Pussyfooting||Robert Fripp|
|remenaric||hard to manage ,sustain, using reverse for that Frippertronics like sound||3/28/15|
|Class A-30 TB||
|Rocles||That Joe Walsh Leslie-type Rotary speaker sound||3/26/15|
|Dave Lambert||1967 Class A-30 Top Boost||Rock||
|Father's name Is Dad||Dave Lambert|
|Rocles||Les paul tone for Strawbs , Dave Lambert sound||3/26/15|
|Line 6||1987 Jazz Clean||Metal Shred||
|New Order||1967 Class A-30 Top Boost||Rock||
|Rocles||Compressed AC30 with Tube Screamer||3/25/15|
|Comments||Less is more. Creamy tone but tight|
|Guitarist||Ryan B. Hamilton|
|Comments||Very lush textural tone with overlapping padlike feel.|
|Comments||Vulgar Display Of Power Tone|
|Comments||Adam jones sound created with JB humbucker, using headphones. Diamondplate amp has nicer bottom end without the harsh highs of dual treadplate. Diezel sounds like it has a blanket over it. Delay, mod, flanger set before amp like Adam Jones sets his. Delay set for Schism, if you want other songs just change Fx tempo to tempo of the song. (ex. schism - 108, vicarious 115) For heavy distortion my guitar volume is on 8, for Schism on 7, light on 3/3.5 (tone always on 10 or 0). Eq-ed the 3200 hz and 6400 hz frequency because I saw it on his eq that he boosts those freq, also added a bit of bottom end.|
|Comments||hard to manage ,sustain, using reverse for that Frippertronics like sound|
|Comments||That Joe Walsh Leslie-type Rotary speaker sound|
|Song||Father's name Is Dad|
|Comments||Les paul tone for Strawbs , Dave Lambert sound|
|Comments||Compressed AC30 with Tube Screamer|
Model Packs increase the number of Amp or FX Models of a GuitarPort, TonePort, PODxt, PODxt Live or PODxt Pro, for a wider variety of tone possibilities. When a particular tone in the library relies on a Model available in one of these packs, you'll see symbol(s) to indicate which Packs: MS (Metal Shop), CC (Classics Collection), FX (FX Junkie), and PP (Power Pack).
The models within the FX Junkie Model Pack are already included in PODxt Live, and offered for purchase to add-on to GuitarPort, TonePort, PODxt and PODxt Pro.
Variax is the uniquely flexibile guitar from Line 6. Our Vetta II amplifier includes a digital connection for the Variax that lets you store settings for both your amp and your guitar in the Vetta II so that when you call up a Vetta Channel Memory your amp and guitar can change sounds together. Vetta II Tones marked with this guitar symbol include this Variax data.
For each tone in the library, you'll see an icon for either a single coil or humbucker pickup. This tells you whether the tone is best for use with a single coil pickup or a humbucker, so you can select the appropriate pickup on your guitar when using this tone.
Attention POD 2.0, Flextone and HD147 owners... Your hardware doesn't do Stomp effects, so you'll hear something different than what was intended. Try increasing the Drive or choose a higher gain Amp Model to get the right sound. The other aspects of the sound should translate as expected, so you'll at least get a great starting place for tweaking.
Tones contributed by users to the Public Tone Exchange are made by individual users, who are in no way affiliated with Line 6. Any product name or trademarks used by the users to describe their Tones are the sole property of their respective owners. Any use of these product names or trademarks of other manufacturers should not be construed as an endorsement, association or affiliation with Line 6.