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|Pink Floyd||Hiway 100||Rock||
|leynaud||never thought of trying to just run the big muff through the leslie simulation, so here it is. it worked out somewhat good.||9/23/12|
|Dire Straits||Cali Crunch||Rock||
|Brothers In Arms||Mark Knopfler|
|leynaud||Back off guitar tone a bit at first then bring up after||9/23/12|
|Pink Floyd||Blackface Lux||Rock||
|leynaud||this uses the correct effect the uni-vibe not a phaser.||9/23/12|
|Parisienne Walkways||Gary Moore|
|leynaud||This patch can be used for both the neck pickup and the bridge pickup for the middle bit of the song. You might want to tweak the reverb for your own taste. You can download a demo mp3 that uses this patch from httpwww.tiff-tools.comvariaxparisennewalkways-jgjb.mp3||9/23/12|
|Pink Floyd||Double Verb||The Style Of Pink Floyd.||
|Crazy Diamond||David Gilmour.|
|leynaud||This is the closest I've come in years to the to the "Live" version Intro Solo,and it works just great.||9/23/12|
|Joe Satriani||Brit JM Pre||Rock||
|The Forgotten Part II||Joe Satriani|
|leynaud||Flying In A Blue Dream lead tone.||9/23/12|
|Song||You or me|
|Edson_Alves||Plexi with some compression and a Fuzz to get a vintage like tone. Try with modulation for some more seventies.||9/22/12|
|Comments||never thought of trying to just run the big muff through the leslie simulation, so here it is. it worked out somewhat good.|
|Song||Brothers In Arms|
|Comments||Back off guitar tone a bit at first then bring up after|
|Comments||this uses the correct effect the uni-vibe not a phaser.|
|Comments||This patch can be used for both the neck pickup and the bridge pickup for the middle bit of the song. You might want to tweak the reverb for your own taste. You can download a demo mp3 that uses this patch from httpwww.tiff-tools.comvariaxparisennewalkways-jgjb.mp3|
|Style||The Style Of Pink Floyd.|
|Comments||This is the closest I've come in years to the to the "Live" version Intro Solo,and it works just great.|
|Song||The Forgotten Part II|
|Comments||Flying In A Blue Dream lead tone.|
|Guitarist||You or me|
|Comments||Plexi with some compression and a Fuzz to get a vintage like tone. Try with modulation for some more seventies.|
Model Packs increase the number of Amp or FX Models of a GuitarPort, TonePort, PODxt, PODxt Live or PODxt Pro, for a wider variety of tone possibilities. When a particular tone in the library relies on a Model available in one of these packs, you'll see symbol(s) to indicate which Packs: MS (Metal Shop), CC (Classics Collection), FX (FX Junkie), and PP (Power Pack).
The models within the FX Junkie Model Pack are already included in PODxt Live, and offered for purchase to add-on to GuitarPort, TonePort, PODxt and PODxt Pro.
Variax is the uniquely flexibile guitar from Line 6. Our Vetta II amplifier includes a digital connection for the Variax that lets you store settings for both your amp and your guitar in the Vetta II so that when you call up a Vetta Channel Memory your amp and guitar can change sounds together. Vetta II Tones marked with this guitar symbol include this Variax data.
For each tone in the library, you'll see an icon for either a single coil or humbucker pickup. This tells you whether the tone is best for use with a single coil pickup or a humbucker, so you can select the appropriate pickup on your guitar when using this tone.
Attention POD 2.0, Flextone and HD147 owners... Your hardware doesn't do Stomp effects, so you'll hear something different than what was intended. Try increasing the Drive or choose a higher gain Amp Model to get the right sound. The other aspects of the sound should translate as expected, so you'll at least get a great starting place for tweaking.
Tones contributed by users to the Public Tone Exchange are made by individual users, who are in no way affiliated with Line 6. Any product name or trademarks used by the users to describe their Tones are the sole property of their respective owners. Any use of these product names or trademarks of other manufacturers should not be construed as an endorsement, association or affiliation with Line 6.