Überlegene Artikulation, spürbare Touch-Reaktion, unvergleichliche Wärme und Gefühl - die HD-Models trotzen dem gängigen Standard.

22 HD Amp-Models.

Line 6 hat mehr Erfahrung mit Modeling-Technologie als jeder andere Gitarrenhersteller in der Branche Unsere Kollektion, die die besten klassischen, modernen und Boutique-Sound-Machines aller Zeiten beinhaltet, hat noch nie so gut geklungen. Spielen Sie mit Sounds auf Basis* von Amps wie Fender®, Vox®, Marshall® und Hiwatt® oder von raffinierten Boutique-Kreationen von Dr. Z®, Bogner® und Divided By 13® und vielen mehr. POD® HD Pro liefert 22 HD Amp-Models in beeindruckender HD-Qualität.

Wahlweise können Sie die Endstufen-Models deaktivieren, indem Sie den Vorverstärker nur für eines der 22 Amp-Models auswählen, um das Leistungsteil des Röhrenverstärkers zu verwenden. POD HD Pro besitzt die Flexibilität, sich an jedes Szenario anzupassen und kann so optimiert werden, dass er mit einem DT-Serie Verstärker, einer PA und ähnlichem betrieben werden kann.

Liste ansehen >>

22 HD Verstärker-Models auf Basis* von

  • Bogner® Uberschall
  • Divided by 13 JRT 9/15
  • Dr. Z® Route 66
  • ENGL® Fireball 100
  • Fender® Bassman® ("Normal" channel)
  • Fender® Bassman® ("Bright" channel)
  • Fender® Blackface Deluxe Reverb® ("Normal" channel)
  • Fender® Blackface Deluxe Reverb® ("Vibrato" channel)
  • Fender® Twin Reverb® ("Normal" channel)
  • Fender® Twin Reverb® ("Vibrato" channel)
  • Gibson® EH-185
  • Hiwatt® Custom 100 (DR103)
  • Line 6 Elektrik
  • Marshall® JCM-800 (2204)
  • Marshall® JTM-45 MkII ("Normal channel")
  • Marshall® JTM-45 MkII ("Bright channel")
  • Mesa/Boogie® Dual Rectifier®
  • Park 75 ("Normal channel")
  • Park 75 ("Bright channel")
  • Supro® S6616
  • Vox® AC-15
  • Vox® AC-30 Top Boost

100+ M-Klasse-Effekte.

Line 6 Stompbox-Modelers - einschließlich des M9 ®, M13 ® und DL4™ - setzen Maßstäbe für Genauigkeit und Authentizität bei Effekten und schaffen eine neue Kategorie: Die "M-Klasse". POD® HD Pro beinhaltet eine stolze Sammlung von mehr als 100 M-Klasse-Effekten mit einer unglaublichen Auswahl an klassischen Delays, Reverbs, Modulatoren, Pitch-Effekten, Overdrives, Filters und vielem mehr.

Um das Beste aus dieser Sammlung herauszuholen, können Sie bis zu acht simultane Effekte verketten, jeden Parameter einzeln nach Wunsch bearbeiten und parallele Pfade (zwei unabhängige Sounds) erstellen. Jeder Sound hat seine eigene Verstärker- und Effekt-Signalkette über eine oder zwei Eingangsquellen. Nutzen Sie dieses atemberaubende Leistungsvermögen, um klassische Sounds oder komplett neue Klangwelten zu schaffen, die nur Ihnen alleine gehören.

Liste ansehen >>
19 DELAYS
Digital Delay A great workhorse effect, this straight-up digital delay has a transparent and pristine echo-echo-echo-echo...
Analog Echo Analog Echo is inspired by* the warm and distorted delays of a Boss® DM2 Analog Echo.
Analog w/ Mod Inspired by* the cherished tone of an Electro-Harmonix® Deluxe Memory Man, Analog w/ Mod delivers an organic-sounding analog delay with a generous dollop of lush, spatial chorus.
Tape Echo Tape Echo is inspired by* the unmistakable depth and sweetness of the Maestro® EP-3 Echoplex, which used transistor sound electronics instead of tubes.
Tape Echo Dry Thru Your dry signal with Tape Echo repeats.
Multi-Head Multi-Head delay is inspired by* the sound created by the multiple playback heads of the Roland® RE-101 Space Echo.
Sweep Echo Add a sweeping warble to the Tube Echo repeats and you've got Sweep Echo. This unique tone adds a tangy flavor to your delays.
Sweep Echo Dry Thru Your dry signal with Sweep Echo repeats.
Reverse !seltaeB eht dna xirdneH imiJ ekil tsuJ Whatever you play comes out backwards.
Tube Echo Like peanut butter and chocolate, tubes and tape are a great combination. Tube Echo is inspired by* a Maestro® EP-1.
Tube Echo Dry Thru Your dry signal with Tube Echo repeats.
Lo Res Delay Inspired by the unique grunge and noise of early digital delay units. Many of which had only 8-bit resolution.
Digital Delay w/ Mod Digital Delay w/ Mod adds a juicy chorus effect to your digital delay.
Stereo Delay The secret to the "Big L.A. Solo" sound of the '80s! Set one side as a fast echo with many repeats, and the other side as a slow delay with few repeats. Voilà, you're famous!
Ping Pong Two separate channels of delay. The output of each channel bounces into the other to create the ping pong effect.
Dynamic Delay Dynamic Delay features a ducking control to keep the delays from overwhelming what you're playing. Inspired by* a T.C. Electronic® 2290 Dynamic Digital Delay.
Auto-Volume Delay Two effects in one! A volume fade-in swell and an echo complete with tape-style wow-and-flutter modulation.
Echo Platter Inspired by* a Binson EchoRec, which inspired bands like Pink Floyd. Rather than using tape, the EchoRec used a magnetic platter to record and play back.
Echo Platter Dry Thru Your dry signal with Echo Platter repeats.
23 MODS
Opto Tremolo Opto Trem is inspired by* the optical tremolo circuit that was used in the blackface Fender® amps like the '64 Deluxe Reverb®.
Bias Tremolo Bias Trem is inspired by* the 1960 Vox® AC-15 Tremolo, which got its pulse by literally varying the bias of the power amp tubes.
Phaser Phaser is inspired by* the sound of an MXR® Phase 90 but it's got a few extra parameters to bring you there and back again.
Dual Phaser Dual Phaser delivers a big jet sound inspired by* a Mu-Tron® Bi-Phase.
Panned Phaser A hypnotizing phaser that slithers from side to side. Inspired by* the sound of an Ibanez® Flying Pan, which is a four-stage phase shifter with a panner built in.
U-Vibe Inspired by* the pulsing push of the now-legendary Uni-Vibe®. One listen to "Machine Gun" and you'll be hooked!
Analog Flange Inspired by* the classic MXR® Flanger, which was made classic on Van Halen's Fair Warning and Women and Children First.
Jet Flanger Compared to Analog Flange, Jet Flanger is more dramatic with a different wave shape. Inspired by* the signature jet-like sweep of an A/DA Flanger.
Analog Chorus Inspired by* the big and warm tones of a Boss® CE-1 Chorus Ensemble, the original stompbox chorus.
Tri Chorus Tri Chorus is inspired by* the larger-than-life sound of a Song Bird/DyTronics Tri-Stereo Chorus.
Pitch Vibrato Inspired by* the Boss® VB-2, which contained a circuit that produced a bubbly vibrato. This pedal (and this model) feature a "rise time" control that when engaged speeds up to where you last set it.
Panner This effect pans back and forth between your left and right channels. If you run it in mono, it's basically tremolo.
Rotary Drum Inspired by* the Fender® Vibratone. This rotating speaker effect was popular with SRV. Think "Cold Shot."
Rotary Drum/Horn Inspired by* a Leslie® 145 tube-driven cabinet with a rotating speaker. Guitarists have always loved its signature shimmer.
Dimension Inspired by* the Roland® Dimension D, one of the first true-stereo chorus units. It's relatively subtle in nature and became an industry standard for double-track effects.
Ring Modulator Perfect for those late-night jams when only the weirdest, wildest sounds will do.
Barber Pole Phaser A classic effect from the world of modular synths. Depending on how you set it, this phaser either sounds like it's always going up or always down. Set to stereo you get both!
Frequency Shifter Shift frequencies up or down and set the mix to 100% for an otherworldly tone. Or dial it back to add interesting colors to leads.
Script Phase Just add the "brown" sound and you're emulating one of rock's most celebrated guitar tones! Inspired by* an MXR® Phase 90. Speed control only, just like the original.
AC Flanger The variety of vibey effects available from AC Flanger are inspired by* the classic tones of the MXR® Flanger
80A Flanger The gritty and spacey sweeps of 80A Flanger are inspired by* the distinctive sound of the A/DA Flanger.
Pattern Tremolo Engage up to four tremolo patterns to play in sequence. This is a truly original textural effect inspired by* a Lightfoot Labs Goatkeeper.
   17 DISTORTIONS
Tube Drive A sweet, singing sustain craved by guitarists worldwide. Inspired by* the tone of a Chandler Tube Driver®.
Screamer Inspired by the smooth medium-gain tones of the collectable original, Screamer is based on* an Ibanez® Tube Screamer®.
Overdrive Inspired by* a DOD® Overdrive/Preamp 250, which was designed to slam the input of a tube amp forcing it to distort violently.
Classic Distortion Angry and aggressive, Classic Distortion is inspired by* a ProCo Rat.
Heavy Distortion The industry-standard heavy metal distortion of the late '80s. Inspired by* a Boss® Metal Zone.
Colordrive Colordrive will transport you back to the breeding ground of British guitar heroes. Inspired by* a Colorsound® Overdriver.
Buzz Saw Take a deep breath and repeat: "I can't get no (duh, duh, duh) Satisfaction." Inspired by* a Maestro® Fuzz Tone.
Facial Fuzz Bottom-heavy distortion inspired by* the Arbiter Fuzz Face®, which is associated with the tones of Jimi Hendrix and Eric Johnson.
Jumbo Fuzz Jumbo Fuzz delivers a bright bite reminiscent of the fuzz tones heard all over the first two Led Zeppelin records. Inspired by* a Vox® Tone Bender.
Fuzz Pi Fuzz Pi delivers plenty of thick distortion and oceans of sustain inspired by* the tone of an Electro-Harmonix® Big Muff Pi®.
Jet Fuzz Part fuzz/part phaser, Jet Fuzz delivers the best of both. Inspired by* the Roland® Jet Phaser.
Line 6 Drive If we could go back to the 60s and be a part of the fuzz revolution, this is what we'd design. Inspired by* the Colorsound® Tone Bender.
Line 6 Distortion Completely saturated and over the top, Line 6 Distortion is massive and totally crazy.
Sub Octave Fuzz Biting fuzz with an octave below! Excellent for bass guitar. Inspired by* the PAiA Roctave Divider.
Octave Fuzz White-hot fuzz with an octave above! This classic fuzz+octave effect was used by Jimi and other pioneering players. Inspired by* the Tycobrahe® Octavia.
Boost Comp A punchy boost of gain inspired by* an MXR® Micro Amp. The compressor can add hang time to your sustain and fill out your leads.
Volume Pedal Expressive pedal steel-style swells that are ideal for use with a Line 6 EX-1™ Expression Pedal.
Bass Octaver This effect gives you a single clean note one octave down. Bassists love it but guitarists (including Jeff Beck) are known to bust it out, too. Inspired by* the tone of an EBS OctaBass.
   12 COMPRESSORS AND EQS
Red Comp Red Comp evens out your volume and adds plenty of sustain. Ideal for slow leads. Inspired by* the MXR® Dyna Comp stompbox compressor.
Blue Comp Inspired by* the Boss® CS-1 Compression Sustainer (with the treble switch off), Blue Comp delivers warm, percussive qualities that are great for cleaner tones.
Blue Comp Treb Inspired by* the Boss® CS-1 Compression Sustainer (with the treble switch on). Kick on this model when you want your leads to really pop!
Vetta Comp Adopted from our Vetta™ II guitar amplifier, Vetta Comp delivers a fixed compression ratio of 2.35:1 with an adjustable threshold and up to 12dB of available gain at the Level knob.
Vetta Juice A colorful boost taken from our Vetta™ II guitar amplifier, Vetta Juice pours out up to 30dB of available gain at the Level knob.
Tube Comp Tube-style compression with added low-end warmth inspired by* the characteristic color of the Teletronix® LA-2A® compressor, a studio standard.
Noise Gate Eliminate the hiss from noisy pickups, or the white noise of extremely high-gain distortions.
Graphic EQ A five-band graphic EQ inspired by* graphic EQ pedals like the MXR® ten-band graphic equalizer, which was an integral part of Randy Rhoads's live rig.
Studio EQ Featuring a constant Q and soft clipping output with level control, Studio EQ is inspired by* an API® 550B.
Parametric EQ This EQ is complete with a high shelf, a low shelf and a fully parametric band.
4 Band Shift EQ A typical four-band graphic EQ with a twist: the shifter can move the lower bands lower and the higher bands higher.
Mid Focus EQ A high-pass and a low-pass each with frequency and gain control used together to create a band-pass.
   26 FILTERS
Tron Up Part Auto Wah and part triggered filter, Tron Up delivers a seriously funky vibe. Inspired by* the Mu-Tron® III envelope follower.
Tron Down Part Auto Wah and part triggered filter, Tron Down delivers a seriously funky vibe. Inspired by* the Mu-Tron® III envelope follower.
Seeker Up to nine "parked" wah filters set at varying positions and then used in sequence to create a pulsating, hypnotic vibe. Inspired by* the Z-Vex Seek Wah.
Obi Wah Obi Wah creates sequential changes in tone by emphasizing random frequencies. Inspired by* the Oberheim® Voltage Controlled sample-and-hold filter.
Voice Box Let your guitar Come Alive with the sound of a classic talk box. Inspired by vocoders, vocal tracts and surgical tubing.
V Tron Your guitar "speaks" with an almost human voice in response to your playing. Inspired by* Voice Box and a Mu-Tron® III.
Throbber Perfect for a multitude of cool electronica-style sounds and textures, Throbber is inspired by* the Electrix® Filter Factory.
Spin Cycle This is what headphone mixes were made for! Imagine two wahs panned left and right working in opposite directions from each other. Inspired by* Craig Anderton's Wah/Anti-Wah.
Comet Trails Spooky and otherworldly, Comet Trails provides an enchanting pulse for you to add to your tone.
Slow Filter This triggered filter rolls off your high-end with adjustable speeds.
Octisynth Not to be missed, Octisynth provides textures that are equally at home in a mad scientist's laboratory or miles below sea level among its eight-armed namesake.
Synth-O-Matic Synth-O-Matic features waveforms from a mouth-watering collection of vintage analog synths.
Attack Synth Inspired by* a waveform and wave-shaping functions of a Korg® X911 Guitar Synth
Synth String A monophonic synth sound inspired by* the Roland® GR700 Guitar Synth.
Growler Named Growler for a reason, this model produces a sinister "Grrrrrrrrr" that's inspired by* a Roland® GR700 Guitar Synth and a Mu-Tron® III.
Q Filter Your very own parked wah! Let your solos soar with the colorful "honk" that became a signature tone of Mark Knopfler and Brian May.
Vetta Wah Our interpretation of the classic wah sound. Connect a Line 6 EX-1™ Expression Pedal to take advantage of this effect. Adopted from our Vetta™ II guitar amplifier.
Fassel Fassel is inspired by* a CryBaby® Super, which is coveted for the mojo of its Fasel inductor.
Weeper Inspired by* the Arbiter Cry Baby®, this model is a variation with a different inductor and other component choices.
Chrome Inspired by* the classic '60s sound of a Vox® V847, Chrome comes complete with the legendary growl of the original.
Chrome Custom Inspired by* the sound of a modded Vox® V847 with tweaked gain staging on the first transistor stage, an aftermarket inductor, the Q widened and replaced with a 470k pot.
Throaty Inspired by* the incredibly musical sweep of a hand-built Real McCoy RMC1, Throaty produces rich mids and a strong low-end.
Conductor Inspired by* the distinctive sound of a vintage Maestro® Boomerang. (Think "Shaft.")
Colorful Inspired by* the wah section of a Colorsound® Wah/Fuzz.
Smart Harmony Turn that 6-string into a 12-string, rip some '80s dual leads and so much more. This intelligent pitch shifter is inspired by* an Eventide® H3000.
Pitch Glide Four-octave range! Drop some dive bombs and throw some ice picks, a la Tom Morello. Connect an EX-1™ Expression Pedal for the full effect. Inspired by* a Digitech Whammy®.
   12 REVERBS
'63 Spring Perfect for surf guitar tones and spaghetti western soundtracks! Inspired by* a 1963 brown spring-reverb head.
Lux Spring Reverb Lux Spring Reverb is inspired by studio-standard spring reverbs whose characteristic resonant sounds were created by springs suspended inside a metal box.
Vintage Plate Reverb Vintage Plate Reverb is inspired by studio plate reverbs with metallic-sounding resonant qualities.
Room Simulates the reflections and other acoustic properties of a classic echo chamber.
Chamber A dreamy reverb inspired by an elongated ambient space (like a hallway, stairwell or elevator shaft).
Hall A strong reverb tail to simulate the sound of a large open space (like a gymnasium, performance hall or cathedral).
Ducking This hall reverb adds a "ducking" effect: the volume of the reverb goes down while you play, and back up when you stop.
Octo Creates a lush, ambient space with a harmonized decay that's reminiscent of a pipe organ. Use volume swells and prepare to float on cloud 9!
Cave A surreal and cavernous echo chamber you'll need a helmet light to escape from.
Tile Emulates the acoustic properties of a tiled room (like a bathroom or shower) with clear and bright early reflections.
Echo Just like it says: echo... echo...echo. This is a lush echo with reverb.
Particle Verb A Line 6 original that turns your chords into a modulated pad. Three modes - Stable, Critical and Hazard - take you from lush and pure to manic and a little insane.

HD-Modeling: Die Entstehungsgeschichte.

In den letzten anderthalb Jahrzehnten verwandelte sich Amp-Modeling von einem Experiment in eine Notwendigkeit. Der POD® HD Pro Rack Multi-Effekt enthält neue HD-Models, die einen Quantensprung in Sachen Modellierungsqualität erlebt haben. Digitale Signalverarbeitung besitzt nun genau das Gefühl, die Dynamik und die Spielbarkeit, von denen die Fans von guten Röhrenverstärkern schwärmen.

Tauchen Sie ein und lesen Sie die ganze Story hinter den Kulissen.

Erfahren Sie mehr

16 neue Cab-Models.

Die Interaktion von Cab und Verstärker spielt eine wesentliche Rolle bei der Sound-Gestaltung. Für den POD HD Pro haben wir 16 neue Cab-Models entwickelt, die die Sounds von 16 Cabs mit stattlichem Gewicht und Präsenz repräsentieren - das schließt auch das Tuning der akustischen Resonanz jedes einzelnen Cabs und des Lautsprecher-Frequenzgangs sowie die Interaktion mit dem Verstärker ein. Unsere Cab-Models liefern jedes Detail dieses entscheidenden Teils Ihrer Sound-Kette.

Liste ansehen >>

16 Lautsprecher-Models auf Basis von*

  • 1965 Fender® Twin Reverb® (2x12® speakers)
  • 1973 Hiwatt® DR-103 (4x12" Fane® speakers)
  • Supro® S6616 (1x6"x9" oval speaker)
  • 1939 Gibson® EH-185 (1x12" field coil speaker)
  • 1958 Fender® Bassman® (4x10® speakers)
  • 1964 Fender® Deluxe Reverb® (1x12" Oxford speaker)
  • Divided by 13 JRT 9/15 (1x12" Celestion® G12H speakers)
  • Dr Z® Route 66 (Ported 2x12" mixed Celestion® V30 and G12H speakers)
  • 1960 Vox® AC-15 (1x12" Celestion® Alnico Bluebell speakers)
  • 1967 Vox® AC-30 (2x12" Celestion® Alnico Silverbell speakers)
  • 1965 Marshall® JTM-45 (4x12" Celestion® Greenback speakers)
  • 1971 Park® 75 (4x12 Rola® Celestion® G12H speakers)
  • 1982 Marshall® JCM-800 (4x12" Celestion® G12T-75 speakers)
  • 2002 Bogner® Uberschall (4x12 mixed Celestion® V30 and G12T75 speakers)
  • 2001 Mesa Boogie® Dual Rectifier® (4x12" Celestion® V30 speakers)
  • 2009 ENGL® Fireball 100 (4x12 XXL Celestion® V30 speakers)
Cabinet model Deep Edit parameters

These parameters offer more control over the response of the POD HD cab models, allowing more customization than ever. Each cabinet model includes the following controls:

  • Low Cut: Provides a gentle High-Pass Filter with a range of 20Hz-500Hz
  • Res Level: Controls the cabinet’s overall Resonance Level
  • Thump: Controls the cabinet’s Low Frequency Resonance Level
  • Decay: Controls the cabinet’s Resonance over time

8 Mic-Models auf Basis von*

Im Studio ist die Entscheidung, ob Sie Ihr Cab mit einem Kondensator-, Bändchen- oder einem dynamischen Mikrofon abnehmen, genauso wichtig, wie die Entscheidung, wie Sie Gain- und Tone-Regler einstellen. Inspiriert von acht großartigen Aufnahmemikrofonen haben wir für den POD HD Pro unsere Mic-Models völlig umgebaut, um mehr klangliche Detailtreue und mehr Realismus als je zuvor zu erzielen.

Liste ansehen >>

8 Mic-Modelsauf Basis von*

  • Shure® SM57 (on axis)
  • Shure® SM57 (off axis)
  • Sennheiser® MD 409 dynamic mic
  • Sennheiser® MD 421 dynamic mic
  • Coles® 4038 ribbon mic
  • Royer® R-121 ribbon mic
  • Neumann® U67 condenser mic
  • Neumann® U87 condenser mic

Dual Tone.

Unzählige legendäre Künstler haben bezeichnende Sounds geschaffen, indem Sie ihr Signal über zwei Rigs gleichzeitig geroutet haben. Mit dem POD HD Pro können Sie dies auf der Bühne und im Studio kinderleicht erreichen. Erstellen Sie zwei unabhängige Verstärker- und Effektketten. Sie können sie entweder links-rechts schwenken, als Mono-Signal mischen oder ein Signal zum 1/4-Inch-Ausgang und ein Signal zum XLR routen, um sie unterschiedlich zu verarbeiten - was immer Ihnen mehr Spass macht.

Intuitive Benutzeroberfläche.

Wenn Sie glauben, dass große Leistung immer mit großer Komplexität verbunden ist, dann wird Sie der POD HD Pro eines Besseren belehren. Noch nie zuvor war ein Multi-Effekt mit so vielen Funktionen so einfach zu bedienen. Die Benutzeroberfläche der Rack-Einheit verfügt über eine klare, unkomplizierte Steuerung, die Gitarristen leicht nachvollziehen können. Kleine Anpassungen und tiefe Programmierbarkeit können rasch und einfach erreicht werden.

Mehr als eine Editor-/Bibliothekssoftware.

Um das Beste aus einem leistungsfähigen Tool wie dem POD HD Pro zu machen, brauchen Sie ein fähiges Bearbeitungs-Tool. POD HD Pro Edit reicht weit über die Grenzen einer herkömmlichen Editor-/Bibliothekssoftware hinaus und stellt Ihnen eine komplette Testumgebung zur Verfügung, um mit dem Sound zu experimentieren und jeden Aspekt Ihres Klanges mit getrennten Sektionen für Effekte, Amps, Mixer und Set-Listen feinabstimmen zu können. POD HD Pro ist als kostenloser Download auf line6.com verfügbar.

Set-Listen und Speicherplätze für Presets.

Hätten Sie gerne auf Knopfdruck unzählige verschiedenen Sounds zur Verfügung? Kein Problem - der POD HD Pro meldet sich sofort zur Stelle. Der Preset-Speicher des Geräts umfasst 512 unabhängige Speicherplätze. So können Sie tweaken und Werks-Presets zuweisen oder komplett neue selbstkreierte Sounds erstellen und abspeichern, um sie später blitzschnell aufzurufen. Spielen Sie in einer Band (oder gleich in mehreren Bands)?? Ordnen Sie Ihre Sounds in Set-Listen, damit der nächste benötigte Sound gleich verfügbar ist. Speichern Sie bis zu acht Set-Listen mit jeweils 64 Presets.

CustomTone.

Nun haben Sie Ihre eigenen fantastischen, benutzerdefinierten POD HD Pro Sounds erstellt - warum sollten Sie diese Sounds nicht mit anderen teilen? Auf CustomTone.com können Sie nicht nur Ihre POD HD Pro Presets mit anderen Line 6 Anwendern teilen, Sie können auch deren Sounds herunterladen - alles völlig kostenlos.